Ever look on a clothing tag for laundry instructions only to find a bunch of hieroglyph-like symbols that you can’t decipher? Primer Magazine has a simple chart that shows you what each one means.
Most of them are pretty easy to understand: a crossed out iron means “do not iron,” a crossed out dryer means “do not dry,” and so on. Other symbols are more confusing: a circle means “dry clean,” a triangle means “bleach,” and three dots means “high heat” inside of whatever other symbol is present.
If lawyers are disbarred and clergymen defrocked, doesn’t it follow that electricians can be delighted, musicians denoted, cowboys deranged, models deposed and dry cleaners depressed? Laundry workers could decrease, eventually becoming depressed and depleted! Even more, bedmakers will be debunked, baseball players will be debased, landscapers will be deflowered, bulldozer operators will be degraded, organ donors will be delivered, software engineers will be detested, the BVD company will be debriefed, and even musical composers will eventually decompose. And on a more positive note, perhaps we can hope politicians will be devoted.
Michigan artist Laura Bell is a little fuzzy about the details of her portrait -The Last Supper. That’s because she used fluffy dryer lint as the medium for her take on this famous work of art.
The massive masterpiece measures 14 feet long by 4 feet tall and has been acquired by Ripley’s Believe It or Not! It will eventually go on display at one of the company’s 32 odditoriums around the world.
Bell, an amateur artist from Roscommon, Michigan, was inspired by a laundry lint portrait she saw about 10 years ago at the Ripley’s Believe It or Not! Wisconsin Dells Odditorium. In 2009, with some encouragement from her husband and a handful of lint from her dryer, she began creating The Last Supper for the ArtPrize 2010 competition in Grand Rapids, Michigan.
Bell says she spent seven months saving the lint from her own dryer, but the problem was it was usually the same color. She tried laundromat lint, but it was always shades of gray and full of dog hair.
She ended up buying towels in the colors that she wanted to use in the portrait and washed and dried them separately to get lint with just the right tint. She estimates that she spent 700-800 hours just doing laundry to get the lint she needed for The Last Supper. She says it took another 200 hours to create the portrait. All the lint in her portrait is as it came out of the dryer and has not been colored or dyed.
She says she’s been thrilled by the response from people who have seen it, and the prospect of millions more seeing it via Ripley’s. “For some people, it’s a very spiritual experience,” said Bell. “Others are simply amazed at what someone could do with basic laundry lint.”