Grand Canyon : Blink of Time

This time-lapse represents seven weeks and more than 80,000 pictures worth of the Grand Canyon compiled into a slightly more than five-minute video.

Enjoy!

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Grand Canyon : Blink of Time is a time lapse film featuring the stunning views of the Grand Canyon. Blink of Time brings the viewer on a journey around and into the canyon. Over 80,000 photos were taken over the course of 7 weeks in April, May, and June of 2012 to make this film. During the production we were able to capture the solar eclipse that took place on May 20, 2012. You may also notice there are two shots that are not from the Grand Canyon both are of Horseshoe Bend. We felt it was appropriate to include these shots into the film because the colorado river is a main staple of the Grand Canyon. This is GOTM Films first time lapse passion project and was funded entirely by us. Our goal was to show the scope of the Grand Canyon to those who haven’t had the fortune of visiting this natural wonder. Using time lapse allows the viewer a glimpse into the Blink of Time we spent making this film.

Alchemy

As usual… Enjoy!

Please watch full screen and turn up the volume!

Alchemy is a short film about transformation. In nature, everything is constantly changing: the earth, the sky, the stars, and all living things. Spring is followed by summer, fall and winter. Water turns into clouds, rain and ice. Over time, rivers are created, canyons carved, and mountains formed. All of these elements, mixed together, create the magic of nature’s alchemy.

 

Namibian Nights

Turn the lights off, the sound up and expand to full screen!

Enjoy!

It’s not easy to come up with something new when you visit the same place every year for more than a decade. Over the years Marsel has created the most extensive and most popular night photography portfolio of Namibia on this planet, and two years ago he decided it was time to take it to the next level.

The idea was to create a night photography timelapse video featuring his most popular subjects in this amazing country: the fairytale-like quivertrees and the eery, dead camelthorn trees in Deadvlei – something that had never been done before. But instead of going for static scenes, Marsel decided to add movement to the scenes by using a dolly system.

All scenes were shot during the night with Nikon D3, D3s and D4 cameras. We used small headlights for selectively lighting trees and rocks, and we sometimes used the moon. The brighter the scene, the more moon there was at the time. For the arch scene we timed our shoot exactly with moonset, which involved quite a bit of calculating and planning. But the hardest one of all was probably the mist scene in Deadvlei. Mist in Deadvlei only occurs around five times a year, so we had to keep a close eye on the weather predictions and many attempts were unsuccessful. When we finally got it right, the results far exceeded our expectations and show Deadvlei as no one has ever seen it before.

Each second of video consists of 30 photographs. In total, Marsel shot more than 16,000 images over a period of two years for this project.

The video won First Prize in the 2012 Travel Photographer Of The Year Awards.
Marsel & Daniella

 

Slinky Magic

Do try this at home!

Take a Slinky or a generic version thereof — the bigger, the better. Find a balcony or window a few stories above ground, making sure that outside, there aren’t any passersby coming. Dangle the Slinky out the window until it is mostly still. You’ll want the other end of the Slinky to be about half way to the ground — if it isn’t, go up another few stories. If you have the required distance, count to five and let the Slinky go.

The top will fall. The bottom will wait until the top gets there.

Don’t have a Slinky handy? Or can’t get to a third story window? Watch the video below (or check out this animated gif):

See? The top falls. The bottom waits.

What’s going on here? The Slinky comes with a small, barely visible jet pack which allows– no, wait. It’s just physics, even if counterintuitively so.

Let’s start with gravity. Drop something — a ball, your cell phone (which certainly happens all too often), a Slinky, or anything, and gravity will start to pull it down. That’s pretty straightforward. It’s why the top of the Slinky immediately falls once released, and it’s why we expect the rest of the Slinky to fall as well. But that’s not the only force acting on the Slinky. There’s also the tension in the spring.

From the perspective of the Slinky’s bottom, the tension is an upward force. Literally, the tension is pulling the bottom of the Slinky back up toward the top. When you are holding the top end of the Slinky, tension is what keeps it from unraveling entirely and falling to the ground as it stretches and dangles. When you drop it, the spring’s tension doesn’t just disappear, It’s still there and, in this case, pulling up at the same rate that gravity is pulling it downward. So the bottom stays in place as the Slinky compresses.

But in the end, gravity wins. When the top and bottom meet, the tension goes to zero, and the bottom of the Slinky joins the top in its descent back to the ground.

Source…

 

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