Violating the laws of nature. Playing God. Capturing stuff we are not supposed to see. Potentially opening up a wormhole in the fabric of time.
These are a few of the things I think about while shooting with a Phantom High Speed Digital Cinema camera. The above video is a bunch of test footage I shot to get familiar with the new “Flex” version. I shot inside my Las Vegas Palms Casino hotel room between the hours of 2am and 6am. If you had a Phantom in your bedroom, you would stay up too!
With an assortment of mail order products, Wile E. Coyote fashions himself a homemade helicopter helmet. Soaring through the sky and over the cliffs, its a surefire way to catch the Road Runner assuming he can avoid military testing grounds.
This video is an amazingly detailed close-up of three Space Shuttle launches tracked by multiple cameras shooting at 60,000 frames-per-second. What we view in a couple of minutes is stretched to 45 minutes of glorious high definition slow motion.
NASA description of the video:
Photographic documentation of a Space Shuttle launch plays a critical role in the engineering analysis and evaluation process that takes place during each and every mission. Motion and Still images enable Shuttle engineers to visually identify off-nominal events and conditions requiring corrective action to ensure mission safety and success. This imagery also provides highly inspirational and educational insight to those outside the NASA family.
This compilation of film and video presents the best of the best ground-based Shuttle motion imagery from STS-114, STS-117, and STS-124 missions. Rendered in the highest definition possible, this production is a tribute to the dozens of men and women of the Shuttle imaging team and the 30yrs of achievement of the Space Shuttle Program.
The video was produced by Matt Melis at the Glenn Research Center.